The newly discussed “Epstein list” that’s circulating is not a vetted roster of confirmed offenders. It’s been noted that the internal FBI summary is composed of mostly unverified public tips. Officials explicitly warn that some of the allegations in the released files are false or unreliable.
The Justice Department also stated that parts of the released Epstein files may contain “fabricated or inaccurately submitted” material, and specifically that some of the more shocking claims are “false and sensational.”
Some of the inconsistencies of the list are specifically noted with Black celeb encounters with random implications such as “Patti LaBelle’s PR rep” or poorly doctored Photoshop screenshots of phone conversations with non-existent interfaces.
The suspected culprits of the false tips are allegedly, old team members from Diddy’s defunct staff, Kanye West, Jaguar Wright, to old weed handlers and industry security not approved for paid YouTube (phantom) snitching.
The type of snitching that found it’s way in the FBI docket is now being invalidated and opening up the FBI for lawsuits. Some tips may even activate pinbacks to tips to distance from being formally implicated for false claims.
The interesting part, much of the inconsistent tips are ironic due to them being pushed by equally corrupt people, using the malicious character assassination with the hopes of messing up someone’s bag. These tips are not being provided by honest citizens seeking justice.
The problem, when the FBI digs deeper they may learn Drake’s lawsuit against Kendrick’s song accusations expose a deeper issue going on in the industry, that lying or sassy “tea dropping” to the point of getting someone killed or thrown in jail, is the new beefing tactic.
This has become a lazy attempt to stop financial earning of competing artists or managers, that used unethical tactics to enter the industry by any means other than talent or genuine creative intent.
If exposing private acts, lawful or not to get attention over actual artistry is the only valid way to remain relevant, this could be the death of Black ownership within the music industry. Seriously, at what point does existing in industry without the purpose of making music or creating no longer a priority?
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